as above so below — .

As Above So Below

[exhibited art-work]

Inward Outward Forward & Backward (Copy) (Copy) (Copy) — Inward, Outward, Forward & Backward, mixed media on canvas, 24x30in

Gimme My 40, detail, mixed media on wood, 20x26in

Let's go (Let us go), mixed media on wood, 24x24in

untitled,
ink on paper,
5 ½ x 8 ½in — untitled, ink on paper, 5 ½ x 8 ½in

collage of a a church, UFO, and image cutout focused on spectators during the lynching of Frank McManus. The Letter to The Hebrews,
mixed media on canvas,
36x36in — collage of a a church, UFO, and image cutout focused on spectators during the lynching of Frank McManus.

The Letter to The Hebrews, mixed media on canvas, 36x36in

Untitled (Copy) (Copy) (Copy) — untitled, acrylic and ink on canvas, 8 ½ x 7 ½in

Untitled 2020 (Copy) (Copy) (Copy) — untitled, mixed media on canvas, 24x48in

I Am (Copy) (Copy) (Copy) — I Am, mixed media on canvas, 14x14in

enslaved African American people were promised 40acres & a mule as reparations for slavery. Instead, they received insufficient government funding, the War on Drugs and FBI counterintelligence programming. Gimme My 40 (2020), mixed media on wood, — enslaved African American people were promised 40acres & a mule as reparations for slavery. Instead, they received insufficient government funding, the War on Drugs and FBI counterintelligence programming.

Gimme My 40 (2020), mixed media on wood, 20x26in

Inward Outward Forward & Backward (Copy) (Copy) (Copy)

Gimme My 40, detail, mixed media on wood, 20x26in

Let's go (Let us go), mixed media on wood, 24x24in

untitled,
ink on paper,
5 ½ x 8 ½in

collage of a a church, UFO, and image cutout focused on spectators during the lynching of Frank McManus. The Letter to The Hebrews,
mixed media on canvas,
36x36in

Untitled (Copy) (Copy) (Copy)

Untitled 2020 (Copy) (Copy) (Copy)

I Am (Copy) (Copy) (Copy)

enslaved African American people were promised 40acres & a mule as reparations for slavery. Instead, they received insufficient government funding, the War on Drugs and FBI counterintelligence programming. Gimme My 40 (2020), mixed media on wood,

Zina Brown, As Above So Below 2021, dA Center for the Arts

Zina Brown, As Above So Below 2021, dA Center for The Arts — As Above So Below, dA Center for the Arts (2021)

comments on the insidious nature of politics, media and religion through modes of assemblage